Fred Rogers Productions is thrilled to announce that Kristin DiQuollo has joined the company as Supervising Producer for the highly-anticipated puppet series, Donkey Hodie, set to debut in winter 2021 on PBS KIDS. In her new role, Kristin will oversee all phases of scripting and production, serve as liaison with the company’s co-production partners and broadcasters, and direct its educational advisors, among other responsibilities.

Donkey Hodie is a new multiplatform, social-emotional series for children ages 3-5 created by Fred Rogers Productions and Spiffy Pictures. The series centers on the character Donkey Hodie, the granddaughter of the original Donkey Hodie (now known as “Grampy Hodie”), a puppet from Mister Rogers’ Neighborhood.

Kristin was most recently Executive Producer and Story Editor of Cyberchase, the hit Emmy-winning animated PBS KIDS series from WNET New York. She led production on broadcast and digital content, helping to spearhead the series’ expansion on digital platforms, including strategies for accessibility, as well as the show’s evolution as a series focusing on math and environmental themes for kids ages 6-8.

Tell us about yourself and how you came to produce and write television shows as a career.
Through a very long, winding, twisted road. I graduated University with a degree in political studies, and since I didn’t know where to line up for a job in “political studies,” I turned to the thing I always got the most joy out of while in school… drama and theatre. I managed to land some television and theatre jobs as an actor, but what really brought me the most satisfaction was writing/performing sketch comedy. It completely hooked me into wanting to write more; specifically half-hour comedies.

And so, with zero television experience, I started at the bottom as a production assistant and slowly worked my way up the ladder, gaining experience along the way (I would also tell anyone who would listen that what I really wanted to do was write). Eventually, I got a crack at a small writing job, and that went well enough that I got a slightly bigger writing job, and on and on it goes until you find yourself writing/producing television as a career. Note: I intentionally left out the part about sleepless nights and countless anxiety attacks.

What was your favorite television show when you were growing up?
I loved such a wide range of shows. As a kid, I was a huge fan of The Muppet Show and Looney Tunes. I also watched a lot of sitcoms, like WKRP in Cincinnati, Happy Days, and Cheers. And of course, Star Trek.

What are the steps that go into your role in writing and producing an episode of Odd Squad?Everything starts in the writing room. We have such an amazing group of writers who work on Odd Squad, along with the insanely creative guidance of co-creators Tim McKeon and Adam Peltzman. As for the nuts and bolts of writing/producing an episode…

First, I like to hear story pitches from everyone in the room. What is the episode about? This could be a fully fleshed-out concept to the smallest nugget of an idea. Once I find a story idea I’m excited about, we get into the nitty gritty of breaking down the beginning, middle, and end of that story on a whiteboard. It’s a huge team effort, with everyone pitching ideas, jokes, story twists and turns, and of course, the math curriculum.

Generally speaking, we’ll spend an entire day planning out just one Odd Squad episode. From there, a writer will be assigned to write an outline for that story; generally speaking, it’s a 4-5 page document. This outline is shared with our curriculum advisers, Fred Rogers Productions, Sinking Ship Entertainment, and PBS for their thoughts/notes. After that, we move to writing the actual script. The entire process—from the start of an idea in the writing room to a first draft script—takes about a month.

Then, we start the process of sharing that script with our production team (from casting, to costume, to visual effects, to locations, and every other department you can imagine). Along the way, we make changes where necessary, and generally try to keep improving the script as we go. I don’t think you’re ever really finished writing a script until you hear the director yell, “Action!” …and even then, I like to come up with new ideas or jokes on the fly. In a nutshell, it is a very long process. Much like this long-winded answer.

What is your favorite episode of Odd Squad?
There are so many! The best I can do, under this intense pressure, is give you my Top Three:

1. “Drop, Gadget, Repeat”… an homage to the Tom Cruise film Live, Die, Repeat (aka, Edge of Tomorrow). It found our agents stuck in a time loop. Brilliantly written by Tim McKeon, skillfully directed by Stefan Scaini, and it probably has my favorite closing line of ANY Odd Squad episode ever. Which I won’t tell you. Go watch it.

2. “Odd Squad: The Movie”… this is technically four episodes, because it was a 1-hour movie, but I’m putting it in on the list. I was lucky enough to write this episode alongside Tim McKeon and Adam Peltzman, and it was directed by the insanely talented J.J. Johnson. We all had so much fun making this because everyone went all out to make it epic. With a guest appearance by Jack McBrayer (30 Rock), along with the one-and-only moment where the cast of seasons one and two come together to save the day. I may have also had a guest appearance as a villain named Rod, from the Rod Squad.

3. “Extreme Cake-Over” Probably one of the craziest episodes we’ve ever done. When a virus that turns people into cakes spreads through Headquarters, the agents try to contain the outbreak. I remember breaking this story in the room, and we all had so much fun coming up with jokes; you could really “feel” that it was going to be a special episode. Fantastically written by Charles Johnston, directed by the brilliant Warren P. Sonoda, and the kids put in a top-level performance throughout the episode. Fun fact: we originally wanted to set this episode on a plane and call it “Cakes on a Plane.”

4. I know, I know… I said ‘Top Three,’ and here I am, still writing. Buuuut I’m actually giving a nod to an episode that hasn’t aired yet, so think of this as a gift. I’m so incredibly proud of how the new season of Odd Squad—featuring the Odd Squad Mobile Unit—is turning out. Keep your eyes peeled for a half-hour episode titled “Slow Your Roll.” It’s our version of the movie Speed, with the agents trying to stop their out-of-control van after it has been taken over by a villain. Amazing performances.

What do you like to do when you’re not working?
I love to read, catch up on other TV shows, and spend time with my wonderful wife and two kids. Is this the most boring answer ever written? Yes. Yes it is.

Without sharing spoilers, what are you most excited about for the Odd Squad Season 3?
It’s the first time we’ve had four main agents, rather than the traditional twosome, which has opened up a lot of interesting character dynamics. One of those agents happens to be 500 years old, and she’s becoming one of the most unique characters we’ve ever seen on Odd Squad. There’s also an incredibly mysterious and surprising villain this season.

I’ve already said too much.

Watch Odd Squad weekdays on PBS KIDS. Tune in to the two-part Season 3 premiere, "Odd Beginnings," February 17 on PBS KIDS (check local listings).

PBS KIDS today announced DONKEY HODIE, a new social-emotional series for children ages 3-5 created by Fred Rogers Productions and Spiffy Pictures. DONKEY HODIE is slated to premiere nationwide on PBS stations, the PBS KIDS 24/7 channel and PBS KIDS digital platforms in winter 2021.

The imaginative puppet series follows the adventures of Donkey Hodie, the granddaughter of the original Donkey Hodie character (now known as “Grampy Hodie”), a puppet from MISTER ROGERS’ NEIGHBORHOOD, who appeared in 59 episodes of the beloved classic children’s show from 1968-1993. The new multiplatform show is filmed at WTTW, the flagship PBS station in Chicago.

DONKEY HODIE is inspired by the quirky, funny side of children’s TV pioneer Fred Rogers and his mission to help young viewers navigate the frustrations and challenges of childhood. It is set in the land of Someplace Else, which was created by Rogers on MISTER ROGERS’ NEIGHBORHOOD.

In every episode, Donkey Hodie, a sweet, yellow donkey with a magenta mohawk, along with her pals, Purple Panda, Duck Duck and Bob Dog, empower preschoolers to dream big and overcome obstacles in their own lives, to work hard and persevere in the face of failure, to be resourceful and discover they are capable of solving problems on their own—and to laugh themselves silly along the way.

New, original music will be featured in DONKEY HODIE—along with reimagined versions of Fred Rogers’ original songs—to reinforce and underscore each story’s positive message. Each episode of DONKEY HODIE will include two 11-minute, character-driven stories with accompanying short form content. The series is currently in production for 40 half-hour episodes.

Along with the television series, DONKEY HODIE will offer digital content for kids, parents and teachers, launching in tandem with the series. DONKEY HODIE games will be available on pbskids.org and on the free PBS KIDS Games App, along with clips and full episodes streaming across PBS KIDS’ video platforms, including the free PBS KIDS Video App. Parent resources, including tips and hands-on activities to extend the learning at home, will be available on the PBS KIDS for Parents site, and PBS LearningMedia will offer classroom-ready materials for teachers, including video excerpts, games, teaching tips and printable activities.

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Contacts:
Lubna Abuulbah, PBS KIDS; 703-739-8463; labuulbah@pbs.org
Alison Grand, Grand Communications; 212-584-1133; alison@grandcommunications.com
Gabrielle Torello, Grand Communications; 917-312-2832; gab@grandcommunications.com

Common Sense Media has named Daniel Tiger's Neighborhood and Odd Squad two of the 10 Best Kids' TV Shows of the Decade (2010-2019).

The article noted that as the amount of children's programming exploded, the way kids watched TV also shifted with the advent of on-demand viewing services. The shows were picked based on their representation of positive role models, learning potential, and entertainment value.

We're grateful to share this honor with our partners at 9 Story Media Group, Brown Bag Films, Sinking Ship Entertainment, and PBS KIDS.

Click here to read the full list of shows named in the article.

Common Sense Media is a nonprofit organization dedicated to improving the lives of kids and families by providing the trustworthy information, education, and independent voice they need to thrive in the 21st century.